Tag Archives: Authenticity

We Are All Post-Nader Shoppers

I’m re-reading Naomi Klein’s ‘No Logo’ for the third (fourth?) time, and it’s obvious to me that brands will never again trigger off the blind trust they used to, however hard we try as marketers.

All that we can do as marketers is to accept that we are all cynical post-Nader shoppers, and then work around that reality, like Paco Underhill does, on page 166 of ‘Why We Buy’

Another reason touch and trial have become so important is the waning power of product brand name. When consumers believed in the companies behind the big brands, their belief went a long way towards selling things. Now, we are all individualists.

For that matter, we are all post-Nader shoppers — we’ll believe it when we see/ smell/ touch/ hear/ taste/ try it. Depending on what we’re buying and what it costs, there’s a healthy skepticism (or is it a nagging doubt) in our heads that must be put to rest before we can buy at ease. We need to feel a certain level of confidence in a product and its value, which comes only through hard evidence, not from TV commercials or word-of-mouth.

Almost Nothing That is Advertised is Actually Necessary

In the middle of a discussion on authenticity in marketing, I think of the Target poster from Judith Levine’s ‘Not Buying It: My Year Without Shopping’ and smile to myself –

The job of consumer culture… is to blur the line between need and want. A poster for Target Stores… plays explicitly along this line. The picture is an Exquisite Corpse-like photomontage of a woman’s head, the upper half of which is a lampshade of ivory satin… a bit of twenty-first century Victorian kitsch. “The lampshade you need,” the copy says. The lower half of the montage is the woman’s face from bridge of nose to sly smile to slender throat, around which is tied a small scarf in a Fiftyesque green and white circle pattern: “The scarf you want”… It is hard to say which is practical and which frivolous, the scarf or the lampshade. We cannot see the model’s eyes, but she is winking at us. For both Target and the consumer know that… almost nothing that is advertised is actually necessary.

Is the Noble Savage the Ideal for the Post Consumerist Society?

In my earlier post about Patricia Martin’s book ‘RenGen’, I have written about how authenticity is one of the three big trends that are changing the very nature of consumption –

We want real and authentic experiences, instead of packaged formulaic one. Brands that resist the urge to reduce experiences (into formulas) and instead try to enhance them will build a cult following for themselves.

While authenticity looks like a no-brainer for brands, few brands can be called authentic. It was another episode of Susan Bratton’s Dishy Mix podcast that helped me pin down the problem. It’s a great podcast and Joseph Pine, the author of ‘Authenticity: What Consumers Really Want’ sets the tone in the first few minutes by saying that all economic offerings are in-authentic because something is only authentic if it is one not ‘of man’. So, the The only way to live an authentic life is to live like Rousseau’s ‘noble savage’ and go into the wild.

I totally loved the interview, so much so that it has set me on a wild goose chase on the concept of the ‘noble savage’. According to Wikipedia, the classical (18th century) characteristics of the ‘noble savage’ include –

Have You Met Patricia Martin’ RenGen (Renaissance Generation) Cultural Consumers?

RenGen (Renaissance Generation) by Patricia Martin

I first heard about Patricia Martin and her book RenGen (Renaissance Generation) while I was listening to Susan Bratton’s Dishy Mix, one of my favorite podcasts.

The basic premise of RenGen is that we are about to see a cultural movement that is similar in scope and scale to the Renaissance. This movement will be spearheaded by a sophisticated and demanding group of ‘cultural consumers’ who are expressing themselves creatively and organizing themselves into communities using the powerful tools provided by social media. To succeed in this context, brands will need to transform big ideas into reality (idea brands), build compassionate relationships (compassion brands), provide the tools to remove anxiety (anxiety brands), fuse opposites into a holistic collage and provide authentic experiences.

Now, Patricia is the founder and president of LitLamp Communications Group, which specializes in building brands through art sponsorships, so it’s easy to dismiss RenGen as a rather sophisticated sales brochure for her agency.

However, even if Patricia’s case for a cultural renaissance is a little overstated, her observations on the trends that are reshaping consumption are totally spot on. These are the same trends that led me towards my off consumption experiment. Specifically, these three trends are especially worth watching out for –