Tag Archives: Walden

The Original Hipsters Were the Original Advocates of Minimalistic Consumption

Given that hipsterdom has been reduced to empty trend-hunting, it’s difficult to remember that the original hipsters were the original advocates of minimalistic consumption –

It’s really ironic that a subculture with a liberal/ anti-establishment/ anti-brand philosophy has transformed into become a an empty, recursive, self-referential focus group for marketers.

In Chapter 2 of ‘Hip: The History’, John Leland lays out the history of this connection between being hip and saying no to consumption —

Within hip’s juggernaut is a quest for the real, a belief that enlightenment involves stripping away sophistication, not adding it… Hip promises truth received, not constructed… This call to primitive experience resists (America’s) cult of progress. In place of status or achievement, the writers offer non-material values by which people could define themselves. This impetus — repeated by bohemians, beboppers, action painters, hippies, punks, hip-hoppers etc. — has been remarkably resilient over American history. Though we often think of these as discrete responses to the mainstream, they are really an ongoing part of what makes America American. They are not footnotes; they belong to the story. By our rebellions are we sometimes best known.

The Relentless Pursuit of Joy ‘Into the Wild’

Into the Wild

Sean Penn’s ‘Into the Wild’ is a brilliant movie adaptation of Jon Krakauer’s bestselling book about the real-life (mis)adventures of Christopher McCandless.

I had been dying to watch ‘Into the Wild’ ever since I read about it in the April 2008 issue of David Report. So, I was delighted when GK brought over the DVD for our Saturday Night Movie Marathon session. It is such sweet serendipity that reaffirms my faith that the universe reaches out to give you whatever you ask for.

The movie itself is mind-blowing, especially in the context of my own experiment, and I went through an entire spectrum of emotions over its two and a half hour run.

Emile Hirsch is superb as Christopher, the idealistic, but troubled, twenty-something protagonist who, inspired by Tolstoy and Thoreau, decides to abandon his career and his family, give away his $24000 savings to charity and hitchhike to Alaska to live in the wilderness.

Christopher deals in extremes and evokes extreme reactions. It’s easier, therefore, to idolize him as enlightened or reject him as naive than to identify with him.